 放大圖片
四梅圖卷(Four Views of the Flowering Plum)
水墨紙本手卷(Handscroll, ink on paper)
南宋 揚無咎(Yang Wujiu,1097 – 1169,Southern Song dynasty)
南宋畫家揚無咎為其友人范端伯（范仲淹之曾孫），作此四株不同花期的折枝梅，分別為未開、欲開、盛開及將殘四種形態，各自獨立成一紙，後裝成手卷。
繪此卷時揚無咎已六十九歲（1165），屬晚年成熟之作。此卷全以水墨寫成，梅幹以乾筆皴擦為之，末段「將殘」部分更有飛白的用筆。梅枝用筆勁健，挺拔爽利，墨色深濃細潤。梅花則以「圈花瓣法」寫成，即無論是花瓣或花苞，均一筆圈成，運筆快捷，筆觸細膩的花苞、花瓣與枝幹，兩者形成對比。全卷墨色變化豐富，予人雅淡恬靜的感覺，展現揚無咎墨梅的野逸風致。
Documenting the four phases of the plum blossom from budding to wilting, the scroll is actually made up of four separate paintings ending with a poem composed by the painter himself.
In the scroll, the trunks are textured with a dry brush, with occasional flying-whites in the last section, while the branches with a wet one. These contrast with the flowers, whether budding or in full bloom, which are outlined swiftly as if in calligraphy in a single stroke. ■資料：香港藝術館
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放大圖片
