放大圖片
行書摹蘭亭序帖卷 Copy after Preface to the Orchid Pavilion Gathering in Running Script
水墨紙本手卷 (Handscroll, ink on paper)
唐 馮承素 (Feng Chengsu, act. 7th century, Tang dynasty)
王羲之的《蘭亭序》歷來備受推崇。《蘭亭序》緣於東晉穆帝永和九年(353)三月三日,王羲之與當時名士謝安等人在會稽山陰(今浙江紹興)的蘭亭溪畔舉行的一次修禊雅集。眾人列溪而坐,飲酒賦詩,並彙編成集,由王羲之作成此序。馮承素擅於拓摹書蹟,於唐太宗時直弘文館,此卷元代郭天賜指為馮承素等精於拓摹者所摹,及後明代項元汴更定之為馮承素所摹,後世遂沿襲此說。此帖被公認為現存《蘭亭序》諸臨摹本中,最能表現王羲之筆鋒秀勁銳利的原作神髓。
Wang Xizhi's Preface to the Orchid Pavilion Gathering has been unrivaled in the history of Chinese calligraphy.The original work, however, was already lost in the Tang. It has been attributed to Feng Chengsu and widely acknowledged to be the best tracing copy to have retained the essences of the original and to have incorporated an element of freehand copying. ■資料:香港藝術館
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