 放大圖片
抱琴歸去圖 (唐寅)Returning home with a qin by Tang Yin
水墨設色絹本立軸 Hanging scroll, ink and colour on silk
唐寅(1470－1523)，字伯虎，吳(今江蘇蘇州)人。學畫於周臣(約1450－約1535)、沈周(1427－1509)，山水法李唐(約1049－約1130)、馬遠(活躍於約1190－約1225)等「院體」風格，兼及「元四家」等文人畫傳統。為「明四家」之一。畫法別樹一幟，斧劈披麻皴並用。工畫人物，或線條清勁，設色妍麗，或筆墨流動，揮灑自如。畫花鳥喜用水墨，清雋峭利，活潑灑脫，生趣盎然。書法源於趙孟頫(1254－1322)，以行、楷見長。亦工詩文。
Tang Yin (1470－1523) was a native of Suzhou, Jiangsu province. His accomplishments in painting enabled him to be ranked among the "Four Masters of the Ming Dynasty". Having studied painting directly with Zhou Chen (ca.1450－ca.1535) and Shen Zhou (1427－1509), Tang forged his individual landscape style by synthesizing the two traditions of landscape painting: the Academic Style based upon the works of the Song painters Li Tang (ca.1049－ca.1130) and Ma Yuan (act. ca.1190－ca.1225) and the literati painting tradition of the "Four Masters of the Yuan Dynasty". His landscapes therefore freely juxtaposed stylistic features of these traditions. Tang was also adept at painting figures, particularly female figures, and his works exhibit both the classical style characterized by fine line and charming colours and ink sketches executed with a swift and dashing brush. His calligraphy was derived from the style of Zhao Mengfu (1254－1322) and he was particularly proficient at running and regular scripts. ■資料：香港藝術館
|
放大圖片
