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2009年9月10日 星期四
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虛白齋藏中國繪畫選


http://paper.wenweipo.com   [2009-09-10]     我要評論
放大圖片

醉吟圖 (陳洪綬)

Versifying under the influence of wine by Chen Hongshou

水墨設色絹本立軸

Hanging scroll, ink and colour on silk

 陳洪綬(1598-1652),浙江諸暨人。前期仕途失意,曾出家為僧,以賣畫過活。詩詞書法俱佳。他精於人物畫,與崔子忠(約1595-1644)並稱「南陳北崔」。所畫人物形象奇古,衣紋圓勁細秀。設色學吳道子(活躍於約710–760)法,山水花鳥造型色彩富於裝飾趣味。又擅繪版畫人物,造型獨特,有《水滸葉子》、《九歌圖》、《西廂記》等傳世。

 Chen Hongshou(1598-1652) was a native of Zhuji, Zhejiang province. He was thwarted in his early attempt to enter into officialdom. He had once been a monk and earned his living as a professional painter. Being a well-educated man, Chen was equally proficient in poetry and calligraphy. Having developed figure painting as his forte, he enjoyed an equal fame with Cui Zizhong (ca.1595-1644), hence yielding their collective appellation of "Chen of the South and Cui of the North". His figure paintings are characterized by exaggerated and archaistic forms. The folds of the draperies were drawn with fine, smooth and tightly disciplined lines; whilst his colouring techniques resemble that of Wu Daozi (act. ca.710-760). The forms and colours in his landscapes and bird-and-flower paintings are also rich in decorative flavour. Another art form closely related to his figure painting is his woodblock print, which was marked by a distinctive personal style.■資料:香港藝術館

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