 放大圖片
菊石圖 (朱耷)Chrysanthemum and rock by Zhu Da
水墨紙本立軸 Hanging scroll, ink on paper
朱耷(1626－1705)，南昌人。為明寧王朱權後裔，明亡後，出家為僧。其畫多有象徵寓意，藉以發洩內心積鬱。山水學董其昌(1555－1636)，惟脫去明麗幽雅而代之以荒寂枯冷。花鳥則淵源自陳淳(1483－1544)、徐渭(1521－1593)等水墨寫意風格，筆法雄健潑辣，自成一家。與弘仁(1610－1664)、髡殘(1612－1673)、石濤(1642－1707)被後世譽為「清初四僧」。
Zhu Da(1626－1705), came from Nanchang, was a descendant of the Prince Ning, Zhu Quan, though he became a monk after the fall of the Ming dynasty. His paintings were rich in symbolic meanings expressing his inner emotions. He initially modelled his landscapes after Dong Qichang(1555－1636)but later his landscapes are tinged with a sense of wintry desolation. His bird-and-flower paintings, characterized by simplified and abstract forms executed with vigorous and expressive brushwork, were derived from the styles of the Ming masters Chen Chun(1483－1544)and Xu Wei(1521－1593), both of whom were noted for painting flowers and birds in the spontaneous style. Zhu Da, Hongren(1610－1664), Kuncan(1612－1673)and Shitao(1642－1707)were celebrated as the "Four Monks of the early Qing Dynasty". ■資料：香港藝術館
|
放大圖片
