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¡]½sªÌµù¡G¤U¤å±N·|³zÅS¼@±¡¡A¤£·Qª¾±xªÌ½Ð¯d·N¡C¡^¦³¨Ç¹q¼vªººë±m¹ï¥Õ¦b©ó¨â­Ó¤H©Î¥H¤Wªº¹ï¸Ü¡A¬¡¦aªü­Û¦b³o¤è­±¹ð¦³¨Î§@¡F¦Ó¦³¨Ç¹q¼vªºÄµ»y«o¤j¦h¬O¥D¨¤ªº¿W¥Õ»Pµoªí°¶½×¡A¡m¼É«Bź¶§¡n¡]Dead Poets Society¡^«K¬O³o¼Ë¡C

¬°¤F¹ªÀy¾Ç¥Í¿W¥ß«ä¦Ò¡A¬°¤F¥O¥L­Ì¬¡¥X¯u¥¿¥Í©R¡B¼g¥X¯u¥¿¸Öºq¡A­^¤å¦Ñ®v¬ù¿«¡D°ò§Ê¡]John Keating¡^¥Î¤F¤£¤Ö¬Ý¦ü©Ç½Ïªº¤èªk©M¬Ý¦ü¯îÂÕªº»¡¸Ü¡C¨Ò¦p¦³¤@¦¸¥L¥s¾Ç¥ÍNeil®ÔŪ¸Öºq±Ð¬ì®Ñªº¾É¨¥¡C

Neil: Understanding Poetry, by Dr. J. Evans Pritchard, Ph.D.... If the poem's score for perfection is plotted along the horizontal of a graph, and its importance is plotted on the vertical, then calculating the total area of the poem yields the measure of its greatness¡]¡m¤F¸Ñ¸Öºq¡n¡A§@ªÌ¡G¥ì¤Z¤h¡D´¶²z¬d³Õ¤h¡C......°²­Y³o­º¸Öºq¦b§¹¬ü¤è­±ªº±o¤À¼Ð¥Ü¦b¹Ïªº¾î¶b¡A¦Ó¥¦ªº­«­n©Ê¼Ð¥Ü¦bÁa¶b¡A¨º»ò­pºâ³o­º¸ÖºqªºÁ`­±¿n«K¥i±o¥X¥¦ªº°¶¤jµ{«×¡^¡C

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¾Ç¥Í²Ó¤ß²âÅ¥©Mºò°O¡A¦³ªº¬Æ¦Ü§Û¤Uµ§°O¡Bµe¤U¹Ïªí¡C«çª¾°ò§Ê¦Ñ®v»y¥XÅå¤H¡C

Keating: Excrement. That's what I think of Mr. J. Evans Pritchard. We're not laying pipe, we're talking about poetry. Now I want you to rip out that page¡]ÁT«K¡C³o´N¬O§Ú¹ï¥ì¤Z¤h¡D´¶²z¬d³Õ¤hªºÆ[·P¡C§Ú­Ì¨Ã«D¾Q³]³ïºÞ¡A§Ú­Ì¬O½Í¸Öºq¡C²{¦b§Ú·Q§A¼¹±¼¨º¤@­¶¡^¡C

¾ã­Ó½Ò«Çªº¾Ç¥Í³£§b¤F¡A¥H¬°°ò§Ê¦Ñ®vºÆ¤F©O¡I¦ý³Ì«áÁÙ¬O¤@¤@·Ó°µ¡A¦Ó¥B·U¼¹·U°_«l¡I³Ì«á¤£¦ý¼¹±¼¨º¤@­¶¡A¬Æ¦Ü§â¾ã­Ó¾É¨¥³£¼¹±¼¤F¡I°ò§Ê±µþÓµoªí¥Lªº½×ÂI¡C

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K: We don't read and write poetry because it's cute. We read and write poetry because we are members of the human race. And the human race is filled with passion. Medicine, law, business, engineering, these are all noble pursuits, and necessary to sustain life. But poetry, beauty, romance, love, these are what we stay alive for¡]§Ú­ÌŪ©M¼g¸Öºq¡A¨Ã«D¦]¬°¥¦¥i·R¡C§Ú­ÌŪ©M¼g¸Öºq¡A¬O¦]¬°§Ú­Ì¬O¤HÃþªº¤@¤À¤l¡A¦Ó¤HÃþ¬O¥Rº¡¼ö±¡ªº¡CÂå¾Ç¡Bªk«ß¡B°Ó·~¡B¤uµ{¡A³o¨Ç¥þ³£¬O°ª¶Qªº¨Æ·~¡A¦Ó¥B¹ïºû«ù¥Í©R¬O¥²»Ýªº¡C¦ý¸Öºq¡B¬ü¡B®öº©¡B·R±¡¡A³o¨Ç¬O§Ú­Ì¥Í¦sªº¥Øªº¡^¡C

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